Masquerades in London [ Dance, Music & Songs / Social interaction ]
… at 10 shillings – it offered a space of carnivalesque class disorder and transgression prompted by anonymity and identity play, even if the lower orders needed more affluent patrons to guarantee entrance (as can be seen, for example, … In listing the participants, the quoted passage nods towards another crucial aspect of eighteenth-century masquerades: identity play. The names given to the disguised participants – Nobody, Somebody and A Double Man – underline the … Dress in Portraiture (New York: Garland Publishing, 1984). 5 . Edmund Law, A Defence of Mr. Locke’s Opinion Concerning Personal Identity (Cambridge: Printed by J. Archdeacon, 1769), p. 40. In a phenomenological approach, Ronald L. Grimes …
Assemblies | Masquerade
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