Professeure en histoire de l'art (XVIIIe et XIXe siècles)
Département d’histoire de l’art et d’études cinématographiques de l’Université du Québec à Montréal (UQAM)
Research expertise
Histoire de la performance du « corps-statue » (attitudes, tableaux vivants et autres) du 18e siècle à aujourd’hui; histoire de l’imprimé, et plus particulièrement de la caricature et de la satire graphique; les questions de censure, d’autocensure, du pouvoir de la caricature et des limites du caricaturable.
Contributions
Individus
William and Emma Hamilton
As British ambassador to the Kingdom of Naples between 1764 and 1800, Sir William welcomed guests from across Europe. He showed them his vast collections of antiquities, accompanied them to excavation sites, and shared with them his passion for vulcanology. Different forms of entertainment were also organized for them. His first wife Catherine organized concerts, and his second wife Emma performed her Attitudes and danced the tarantella in front of assembled guests. In another set of performances, young boys splashed naked in the waters in front of his villa.