Gallery

'Hampshire parole register', The National Archives, Kew. Ref.: ADM 103/551 1795-1797.

Hampshire parole register, 1795-1797

Captain John Durrant, 'A watercolour of Portchester Castle', Hampshire Cultural Trust, HMCMS:FA1990.23.129, 1802-1813.

Portchester Castle, 1802-1813

Edward Matthew Ward, ‘Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience’, 1748, Tate, N00430.

Doctor Johnson in the Ante-Room of the Lord Chesterfield, 1748

Thursday, March 1, 1711. The first issue of The Spectator, 1711. Printed on both sides on a single sheet of paper. From the website: The Open Anthology of Literature in English. Public domain via Wikimedia Commons

The first issue of The Spectator, 1711

‘Pair of cotton pockets’, c. 1820, Metropolitan Museum of Art, inv. 2009.300.3472. "Pocket belonging and worn by my grandmother Ann Isabel Hale 1820" (C) Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Mrs. Peyton R. H. Washburn, 1942.

Pair of cotton pockets, c. 1820

Johan Sebastian Müller, ‘Vauxhall Gardens, shewing the Grand Walk at the entrance of the garden, and the Orchestra, with the Musick playing’, Bibliothèque Nationale de France, 1755.

Vauxhall Gardens, shewing the Grand Walk and the Orchestra, with the Musick playing, 1755

Joseph Severn, ‘Posthumous Portrait of Shelley Writing Prometheus Unbound’, 1845, Keats-Shelley Memorial House, Rome, Italy. https://commons.wikimedia.org/wiki/File:Joseph_Severn_-_Posthumous_Portrait_of_Shelley_Writing_Prometheus_Unbound_1845.jpg

Posthumous Portrait of Shelley, 1845

‘Title pages of the ca. 1788 edition of the first volume of the collected edition of Addison and Steele’s The Spectator’, Wikimedia Commons, circa 1788.

The Spectator, circa 1788

‘La Constitution au Club des Jacobins’, late XVIIIth century, Wiki Commons. https://www.librairiegiard.com/photos/medium/34334.jpg

La Constitution au Club des Jacobins, late 18th century

Joseph Josiah Dodd and Charles Tattershall Dodd, ‘View of Tonbridge During the Late Election, after 1832’, Yale Center for British Art, Paul Mellon Collection, B1977.14.20189, after 1832.

‘View of Tonbridge During the Late Election, after 1832

Henry Rumsey Forster, The Pocket Peerage of Great Britain and Ireland (London: David Bogue, 1852).

The Pocket Peerage of Great Britain and Ireland, 1852

Joseph Ducreux, 'Pierre-Ambroise-François Choderlos de Laclos', © RMN-Grand Palais (Château de Versailles) - Photo Gérard Blot, INV 27625, Recto, XVIIIe siècle.

Pierre-Ambroise-François Choderlos de Laclos, 18th cent.

Peter Tillemans, ‘The Artist’s Studio’, Norwich Castle, NWHCM:1989.86:F, c. 1716.

The Artist’s Studio, c. 1716

Thomas Rowlandson, ‘The Portrait Studio’, from The Comforts of Bath series, Wikimedia Commons, 1798.

The Portrait Studio, 1798

Jan Huber, ‘Voltaire on the theatre scene’, Wikimedia Commons, 1750-1775.

Voltaire on the theatre scene, 1750-1775

Front page of the first issue of The Daily Courant, 11 March 1702.

The Daily Courant, 1702

‘Medal of Richard Brinsley Sheridan’, 1781-90, © The Trustees of the British Museum, M.4966.

Medal of Richard Brinsley Sheridan, 1781-90

‘Scene from “School for Scandal” being performed in Drury Lane Theatre, London; four actors on stage, the audience watching from boxes on either side’, 1778, © The Trustees of the British Museum, 1837,0513.11., Ee,4.80.

Scene from “School for Scandal” in Drury Lane Theatre, 1778

S. W. Fores, ‘A scene in the crown & anchor tavern or a crack in the wig club’, 1793, © The Trustees of the British Museum, 1868,0808.6282.

A scene in the crown & anchor tavern or a crack in the wig club, 1793

‘Portrait of Richard Brinsley Sheridan, aged 25, bust to right, looking at the viewer, hair curled at the ears and tied in a queue, oval frame with bow on top, on pedestal with laurel’, 1777, © The Trustees of the British Museum, 1837,0513.11.

Richard Brinsley Sheridan, aged 25, 1777

S. W. Fores, ‘The Gamblers’ (R. B. Sheridan, Charles James Fox and the Prince of Wales), 1785, © The Trustees of the British Museum, 1851,0901.241.

The Gamblers, 1785

Anonymous, ‘Portrait of Richard Brinsley Sheridan’, 1770-1854, © The Trustees of the British Museum, 1854,0513.330.

Richard Brinsley Sheridan, 1854

Thomas Murray, 'Portrait of William Dampier', National Portrait Gallery, London, NPG 538, 1780.

William Dampier, 1780

Inventory of Robert Hooke’s belongings drawn up following his death, The National Archives, PROB 5/1324.

Inventory of Robert Hooke’s belongings, 1703

Frontispiece of Thomas Sprat's, 'The History of the Royal Society', The Met, New-York, 17.3.1475, 1667.

The History of the Royal Society, 1667

Reciprocity

Réciprocité

‘Jean-Baptiste Say’, Wikimedia Commons, 19th century.

Jean-Baptiste Say, 19th century