English theatre (and transnational sociability) [ Sports & Leisure / National & Transnational cultures / Translation, Dissemination & Reception ]
… 3 1 . For details of the debate, see Harold Love, ‘The Myth of the Restoration Audience‘, Komos: A Quaterly Journal of Drama and the Arts of the Theatre 1 (1967), p. 49-56; A. S. Bear, ‘Criticism and Social Change: the Case of Restoration Drama‘, Komos II (1969), p. 23-31; Harold Love, ‘Bear’s Case Laid Open: Or, a Timely Warning To Literature Sociologists‘, … on other continental countries, Gotthold Ephraim Lessing being a leading figure in the spreading of Shakespearean drama. However, interest in English theatre during the eighteenth century witnessed a progressive surge in the rest of …
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