… was the one familiar to most eighteenth-century audiences; it underwent various renovations, including an airy neo-classical redesign by Robert Adam in 1775, before it too burned down in 1791. Its replacement, designed by Henry Holland, … Differently priced seating zones within Drury Lane Theatre typically correlated with persons of a certain social class, and thus each space embodied and generated different social expectations. 8 In the most expensive seats, the …